Webinar Series 2: Black Lives Past and Present
CLUE+ and the Graduate School of Humanities VU cordially invite you to the second webinar series: Black Lives Past and Present.
11/17/2020 | 4:00 PM
The next webinar in this series will be announced soon
‘In recent months we have been re-awakened by loud voices of anger and sorrow at the injustice called racism. They speak of violence that kills people. They also speak of hidden power structures in our society that put people at a disadvantage because of fewer opportunities to develop themselves or because of ethnic profiling’ (statement on racism by VU, click here to read the full statement). The research institute CLUE+ of the Vrije Universiteit Amsterdam wishes to take part in the ‘courageous conversations’ about uncomfortable questions with sometimes painful answers. By organizing a series of webinars on the history of slavery, colonialism, institutional racism and violence we hope to contribute to these conversations with insights from history.
To view the webinars of the first Black Lives Past and Present series, click here.
The series consists of short introductions by the speakers after which the audience can ask questions via the chat. Moderator will be Aaron Peterer.
If you wish to attend, please use this link: https://tinyurl.com/y5u3ug4w to register. After registration you will receive information on how to join the webinar.
The webinar on Wednesday 8 December will be hosted by the IISH, to attend this webinar click here (no registration required).
Tuesday 8 December: 15:30-17:00
Anthony Bogues: Trumpism Stalled – American democracy and the recent election
To attend this lecture, use the link: https://knaw-nl.zoom.us/j/94805568064?pwd=NUhuRUl5ZWhGekszbnBHdHRRanBjdz09
Donald Trump was defeated in a bitterly contested election, which saw the largest turnout of the American electorate in 120 years. The Trump regime reworked a version of American conservatism constructing a politics that was authoritarian-populist. It was a political project to create an “illiberal democracy" privileging an imagined community of whiteness. This talk will discuss this project, the election results and ask the question wither Trumpisim after Trump.
Anthony Bogues is the Asa Messer Professor of Humanities and the inaugural director of the Center for the Study of Slavery and Justice at Brown University. He is also a Visiting Fellow at the IISH where he is co-convening a global project on Slavery, Race and the Making of Capitalism.
This lecture is part of the monthly IISH Seminar series. This seminar is open to the public online only. This lecture is co-hosted by the VU Research Institute for Culture, Cognition, History and Heritage (CLUE+), as part of its Black Lives, Past and Present lecture series.
Tuesday 17 November 2020: 16.00-17.00
Beyond White Jesus
Peter-Ben Smit: If we are like him, isn’t he like us? Inculturation, ownership and Jesus in Western “white” tradition
The best argument against “the” white Jesus is: the white Jesus. Christian faith was formed by and played a role in forming Western and Northern European culture. This has led to a variety of representations of Jesus, frequently white, always responding to specific contexts and needs. Christ entered culture: a process of “in-culturation”; the results range from Jesus as a victim of the plague, by way of Jesus as philosopher or shepherd, to Jesus as a transgender person or a person with Down’s syndrome. Considering this shows that representations of Jesus are always in flux and not a single one of them can be regarded as normative for all contexts and people, not even “the” white Jesus, which, in fact, only exists as a plethora of diverse representations of Jesus in relation to particular situations.
Robert Beckford: Your white Jesus can't Save Us, But the Black Christ might Save You
In Caribbean diaspora cultures in Britain, the white Jesus is so ideologically 'loaded' that its inclusion makes no meaningful contribution to the struggle for Christian racial justice. The solution for artists is to construct Black images of Christ to promote black resistance and re-existence. But can these representations offer more than a contribution to the sacred cause of "Black Lives Matter? Does the black Christ connote inclusivity, or is it a reproduction of the bias the artists seek to overcome?